Beijing Scene, Volume 5, Issue 7, April 30 - May 6 |
ARCHIVE EDITION
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Heineken Beat99 | |||
Rocking the Altar of the Sun
Ritan Park will rock the weekend of May 14-16, 1999.
Not only is the altar being altered, but the entire park is being renovated
and upgraded to hold an expected 10,000 spectators. It has taken a year
of organizing to get sponsorship and unprecedented official approval
for the three-day music festival, but it seems that the karaoke-crooning
cadres of Beijing are finally letting their hair down. Heineken Beat
99 will also be featured in an hour long rockumentary film to be broadcast
locally and internationally later this year.
The festival’s eclectic lineup includes: Next on stage (7:30-9 pm) is Beijing born and bred
keyboardist and singer Zang Tiansuo. Zang started his pop career with
several of China’s earliest rock bands including Budaowen (Don’t Wobble)
and 1989. During the mid-1980s Zang composed and performed his own songs,
several of which continue to be among the most requested by his fans:
"Friends", "The Last Salute", and "Time to Depart." His first solo album,
Rushing into the Forbidden Zone, was released in 1987. Through the late
1980s, Zang collaborated with other Chinese rock bands to produce the
rock/pop compilations China Tide and There is Only One Yangtze. Zang
has just released his third album, Raise My Hand and will be singing
tracks from it during his Heineken Beat performance.
Zap Mama winds up the Friday night festival performance
(9:30-11 pm). Zaire-born, Belgium-bred singer Marie Daulne is known
for her wonderful vocals which draw on African, Arabic, European and
Indian traditions. Zap Mama and her band fuse these styles with rap,
R&B, reggae and pop to produce a sound that truly qualifies as world
music. Saturday May 15 Alternative rocker David Garza is enthusiastic about
performing on a stage that used to be a religious altar. "Rock Ôn roll
is my religion," he says, "I just think of the stage as an altar, and
the music as the offering." Garza’s music draws from a variety of genres
to create a sound that swings smoothly from a heavy beat to a jazzy
lullaby to kaleidoscopic pop (7:30-9 pm).
Dutch duo Hans Dulfer and Saskia Laroo are not preparing
anything special for their performance in China. Dulfer says "I always
play my ass off." Dulfer intends to play some tracks from his latest
studio album Deep Skin - fierce dance music with a bold beat and a hypnotic
groove. Saskia Laroo is one of Holland’s most celebrated trumpet players.
She is known for a funky dance/acid jazz sound combined with rap (9:30-11
pm).
Sunday May 16
The biggest name at the festival is bluesman Robert
Cray. Often called "a blues guitarist with a soul singer’s voice," Cray
infuses passion into his performances of music based on the rich tradition
of southern (US) soul. Cray’s distinctive voice and guitar playing have
garnered him four Grammy awards and ensured the critical and commercial
success of numerous albums and international tours. His band is made
up of Jim Pugh on keyboard, Karl Sevareid on bass, Kevin Hayes on drums
and the Memphis horns duo Wayne Jackson and Andrew Love. The band recently
released Take Your Shoes Off, an album that marks Robert Cray’s 25 years
as a band leader. The band plans to perform some songs from this album
in Beijing as well as old crowd pleasers such as "Smoking Gun" (7:30-9
pm). Heineken Beat’s final act is the French band Sixun, formed by musicians of six dramatically different cultural and musical backgrounds. Their sound combines jazz, rock, African and Arabian influences. The band has been together for 15 years and has produced half a dozen albums, several videos, and performed in places as diverse as New York, Laos and Japan. Sixun are no strangers to the Northern Capital: they have previously performed at the Beijing Jazz Festival (9:30-11 pm). |
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